Master Country Guitar Licks & the Language of the Greatest Country Players • • Play in the style of the greatest 20 Country Guitarists • • Master 5 genre-defining guitar licks for each player • • Discover how to combine and personalize vocabulary into your own unique style • • Transpose licks and play in any key with our CAGED System guide • • Learn two complete Country Guitar solos to play country guitar licks in context. Country Guitar Heroes: 100 Country Licks For Guitar • • Are you struggling to learn the language of solo country guitar? • • Do you want to master the essential language of the country guitar greats? • • Do you want to combine country guitar licks into meaningful, personalized solos? • • Do you want to be able to use your country guitar licks in any key and in any style? 100 country licks for guitar goes way beyond most normal ‘boring’ lick books you will learn authentic country guitar licks “In the style of” the 20 greatest country guitaristsever. What’s more, you’ll learn how to form their licks into your own personal language in any key and in any style.

To download DANNY GATTON LICKS AND TRICKS PDF, click on the Download button DOWNLOAD. Our installation finished with.

Here’s an example solo that you will learn in the book. Here’s What You Get: • • 100 country guitar licks closely mimicking the language of the 20 most important country guitar players. • • Complete playing advice and breakdown of every lick, from fingering to musical application. • • Understanding of how to apply these licks musically in any key. • • An instant way to combine licks into musical phrases that are unique to your own musical voice.

• • An overview of The CAGED system so you can easily organize and contextualize your licks for instant access! – Never forget a lick again • • Over 100 notated examples with tab and audio to download for free. Thc Hydra For Windows there. Bonus One: Two complete solos that teach you to combine and personalize country guitar licks into your own musical language Bonus Two: A complete guide to changing the “context” of any lick to work over different chords. Go Way Beyond “Traditional” Lick Books Most traditional guitar lick books actually fail the guitarists they set out to help. By simply listing licks, it is almost impossible for the student to apply them in any kind of context. They end up with a mental ‘list’ of licks that they struggle to apply in a musical way.

100 Country Licks for Guitar is different and goes way beyond every other lick book available. It is not simply a cold list of licks, it’s a complete guitar method for country guitar that teaches you how to learn and internalize the language of the country guitar masters into your everyday playing. The style and language of the 20 most genre-defining country guitar players are discussed and analyzed, and 5 defining, “in the style of” guitar licks are given for each essential country guitar player. You will learn licks in the style of: Albert Lee Brad Paisley Brent Mason Buck Owens/Don Rich Chet Atkins Danny Gatton Eldon Shamblin Glen Campbell Hank Garland James Burton Jerry Donahue Jerry Reed Jimmy Bryant Johnny Hiland Keith Urban Redd Volkaert Roy Nichols Steve Wariner Vince Gill Whit Smith As well as learning to play their essential country guitar language, you will also learn how to easily incorporate their country guitar licks into your playing. Convert Licks: Learn how to quickly alter any lick to fit over Major, Minor or Dominant 7 chords.

How to Learn: Also included is a detailed ‘How to Practice’ section with detailed content on how to memorize, incorporate and transpose licks into any key. Learning country guitar licks from paper is one thing, but once you hear how to apply them, they become music. Скачать Игру Gta Через Зону.

100 Country Licks for Guitar contains over 100 supporting audio examples to help you get inside the music, and quickly apply each new lick in a musical situation. Amazon Reviews • Amazing book with an extensively useful, well explained licks in the style of so many different players. I just tried a whole bunch of them cover to cover and am very impressed with the attention to detail that Levi has put it in! • In this book Levi is not only a good player but great teacher. He shows your different licks and different keys and chord progressions so you can apply licks in a real time situation.

• Providing extraordinary value, easy to follow concepts, high quality audio examples, this book is a must have for any guitar player looking to get into country lead guitar.

I’m a huge Gatton fan and in recent weeks I’ve been reading Ralph Heibutzki’s fantastic biography Unfinished Business–The Life & Times of Danny Gatton, so the subject is hot on my mind and his albums have been on constant rotation for a while. Who then is this Danny Gatton chap? Often touted as “the world’s greatest unknown guitar player,” Gatton was born and raised in the D.C. Growing up in the ’50s, he was exposed to everything from rockabilly and bluegrass to jazz and country music. From Les Paul to Roy Nichols, James Burton to Chet Atkins, Gatton absorbed it all, becoming a true master of many styles. Gatton would constantly perform in and around D.C.

In various groups, and despite making pilgrimages to Los Angeles, New York, and Nashville, he always felt better at home. He was content to be a local legend and apparently didn’t feel an urge to tour around the country to take things to the next level. Aside from two albums on Elektra, Gatton was on small labels for most of his career. Nonetheless, his recorded output was strong and such albums as Redneck Jazz, Unfinished Business, New York Stories, and 88 Elmira Street are fantastic examples of his broad taste in music. Sadly Gatton’s life was dogged with issues and his seemingly chronic depression and mood swings eventually led to suicide at his home in 1994.

To this day, the causes aren’t fully understood and while there are theories, I think it’s best to remember Gatton for what he did, rather than why he stopped doing it. Because Gatton covered so much musical ground, I’ve decided to break our lesson into two installments. This month we’ll take a look at some of his fantastic rhythm guitar ideas, and then next time we’ll investigate some of his incredible soloing techniques. One of Gatton’s strongest musical traits was his ability to incorporate non-guitar influences into his playing. In this first lick, you’ll see how organ players affected Gatton’s comping. If you listen to his rhythm playing on tunes like “Funky Mama,” from the album Relentless with organ virtuoso Joey DeFrancesco, or just watch Gatton’s instructional videos, you’ll hear the organ connection.

To execute ideas like this, you’ll need to feel comfortable with hybrid picking. This right-hand technique lets you pluck several strings at once, rather than strumming across them. Gatton was a phenomenal hybrid picker.

It’s well documented he was also a highly skilled banjo player, so right-hand finger dexterity is one of his most impressive skills. Rather than using thumb and finger picks, he simply translated all these skills to flatpick and fingers—his use of banjo rolls could take years to investigate. Looking at Fig. 1, you can see a very defined upper and lower voice.

Notice how the bass shuffles along below chord stabs—plucked by the middle, ring, and pinky fingers— punctuate the phrase. The organ influence is based around the use of moving triads over a static bass note. We are implying G7, G13sus, and G7sus chords, but basically we are moving Bb, C, and F major triads over the G bass note. As an aside, I recommend fretting that bass note with your thumb, so you can reach back to the lower frets to grab the 1st-position F triad. I’ve also included a slow audio version so you can work out the finer details. This one may need some time to master because your fingers and pick act independently and come together to make one finished product. To take this idea full circle, I’ve written out a complete 12-bar blues ( Fig.

2) using this idea. Fortunately, when we move to the C7 and D7 chords, we simply take the pattern up the neck and play it in a new location. There’s also a more extended I-VI-II-V turnaround going from G7 to E7#5#9 (a cool little voicing pinched from Scotty Anderson) to A7#5b9 then D9. To get this closer to the sound of an organ, I’m using Gatton’s trick of using both pickups on my Telecaster, rolling back the tone, and then running through a vibe pedal.